Sunday, April 30, 2023
Friday, March 31, 2023
The Black Lighthouse of Queenscliff, Australia
I spent a month in Australia with the U.S. Lighthouse Society in November 2022. What an amazing trip! I invite you to learn a little about one of the South Australia lighthouses I visited. I will say, (eyes rolling) that the docent for the society tour at this sentinel was loud, obnoxious, and pushy. Since there is an Aussie army military installation around the lighthouse, I suppose he had dreams of being a drill sergeant. And it was obvious he thought Americans amusing. Anyway, let's hope if you visit, you'll have a nicer docent to take you around the site. You'll learn a lot of Aussie military history and a little about the Black Lighthouse, so named for its dark color. The basalt blocks in the tower give it the name.
Two of my photos are posted below. They are copyrighted, so don't use them.
I have reproduced the flier I was given, with all information on visiting the site and a bit of history of the lighthouse itself. Enjoy, and if you get Down Under, do visit the lighthouses. They are awesome!
Thursday, June 9, 2022
A Grain of Cape Sand
|Photo by Kraig Anderson|
|Old Long Point Light--so sandy. Photo from Coast Guard Archives|
|Old postcard of Nobska Lighthouse about 1900.|
|Monomoy Lighthouse in its sandy setting. No date. Coast Guard Archives photo|
|A sand dune creeps up on Monomoy Lighthouse. Great photo by Dennis Donohue. Please go to his website and check out his fabulous images. The Natural World Through My Lens (through-my-lens.com)|
|Race Point Lighthouse and quarters, nestled in the sand. Photo by TripAdvisor|
Monday, March 7, 2022
In honor of Women's History Month, enjoy these articles.
Extraordinary Rescuer or Media Heroine?
‘Twas on the Longstone light-house,
There dwelt an English maid;
Pure as the air around her,
Of danger ne’er afraid…
Cal Bagby, “The Ballad of Grace Darling”
What lighthouse enthusiast has not heard of Grace Darling, the daughter of an English lighthouse keeper whose pluck and call to duty in 1838 resulted in the rescue of the survivors of the wrecked steamship Forfarshire? Thanks to flowery Victorian journalism and the British bent for fanfare, Grace’s single gallant deed earned her immortality and made her, as biographer Jessica Mitford said, “the first media heroine.” Yet, her story is barely a glimmer these days…not the popular and embellished tale it was more than a century ago. Who was Grace Darling really, and was she as heroic as history claims.
I first heard about
Grace Darling from my mother, a great reader and amateur historian who, though
she never visited
Grace’s story grew
from simple roots into florid blooms. At dawn on September 7, 1838, Grace and
her father, William Darling, the keeper of the 1826 Longstone Lighthouse in the
Keeper Darling, in the
tradition of all lighthouse keepers, waited for low tide and greater daylight,
then donned his oilskins and downed a hot drink to steel himself for the
grueling task ahead—attempting a rescue of the survivors. The surfmen at
daughter, Grace, knowing her father needed help, asked to accompany him. She
was young and could handle a boat. The only other person at the lighthouse was
her mother, and the elder woman had less strength than Grace. Who knows what conversation
passed between Grace and her father? It was a miserable chore to push a small
boat into stormy seas. They knew they’d be risking their lives to save others.
But this was the way of God-fearing coastal people, especially on the
Blankets were gathered, and the lighthouse coble, a short, flat-bottomed boat 21½-feet long from stem to stern, was lowered into the wild waters. Grace and her father were able rowers, but the mountainous seas and violent tide pushed the stout little coble off course several times, making the journey to the stranded ship twice as long. They reached the wreck—the steamer Forfarshire—in about an hour and Keeper Darling took off five of the nine survivors while Grace steadied the coble. The boat could hold no more than seven safely, so once loaded they rowed for the lighthouse. The lightkeeper and two of the rescued seamen then made a second trip to the wreck to fetch the remaining survivors. Grace did not accompany them this second time. Instead, she remained at the lighthouse with her mother to help the castaways, one of whom was badly injured.
What makes Grace Darling a heroine for this effort? It was, after all, only one trip to the wrecked ship, with Grace merely rowing and steadying the boat. Her father did the actual rescuing and made two trips to the wreck. It was strenuous, to be sure, but the Darlings were skilled boat-handlers and observers of the sea. According to a naturalist in Seahouses, “I shouldn’t think their lives were in much danger.” Indeed, “The Deed,” as local Northumbrians call Grace’s act, might not have been worthy of the fame that followed.
women later equaled or surpassed Grace Darling’s effort. The
Rescuing and other acts of self-sacrifice were commonplace among light keeping families. Longstone lightkeeper William Darling, had done it before and would do it again. It was expected of his compassionate, solicitous occupation. To have his daughter help him row to the wreck was nothing extraordinary. Lighthouse history is replete with daughters who helped their fathers in myriad ways.
commonplace too, especially in the tumultuous
Grace’s rapid rise to fame was rooted in the Forfarshire rescue, but other factors may have contributed more, including the tenor of the time, a rising literacy rate, and the public’s fascination with women who challenged the feminine archetype. Names like Joan of Arc, Lady Godiva, and even Queen Victoria, who had recently ascended the British throne and proven herself a capable monarch, resonated with a nation that seemed on top of the world. Everyday people, especially girls and women, could read and write by the early nineteenth century. Grace Darling herself was educated, an avid reader, letter-writer, and keeper of journals. Books, newspapers, and magazines rolled off the presses in her day, readily accessible. The time was ripe for a good heroic story.
Three days after the
wreck of the Forfarshire the weather
broke in the
The ship was a
paddlewheel steamer with brigantine rigging. She was British-built and only
four years old—a cross-ship capable of
making her own steam power or using sails. This was the age when steam engines
were available but not always reliable, so ships carried both types of motive
power. Forfarshire had departed from
Some of the passengers and crew managed to launch a lifeboat and were later picked up by a passing schooner. The rest of them spent a horrific night as cold, heavy seas pounded the ship and tore away her stern quarterdeck and cabins. Ultimately, she broke in half. Some perished in the frigid waves or drowned on deck from the heavy wave-wash. Others were killed outright when they were slammed into wooden and metal parts of the ship. At dawn a few passengers still clung to the rails, including a keening Mrs. Dawson who held in her arms the limp, dead bodies of her two children, ages seven and nine. In the end, more than forty perished and only nine survived—the nine rescued by the Darlings.
The first inquest into the sinking reported that the ship foundered due to “the imperfections of the boilers and the culpable negligence of Captain Humble.” This was based on the decision that Humble should have sailed for the nearest port the moment the boilers failed. Instead, he pressed on under sail, let his ship founder, and was responsible for the loss of lives and cargo, not to mention an almost-new ship. Humble had gone down with his ship and was an easy scapegoat. A second inquest was kinder to him, laying most of the blame on the weather.
When the scandal died down a few days later, a “penny-a-liner” reporter grabbed the Grace Darling story for his gossip broadside and gave it his melodramatic best. He aimed to milk the tale for all it was worth. Single-page broadsides were cheap entertainment for the masses at this time, and broadside writers seldom cared about journalistic ethics. If it sounded fantastic, it made news, often embroidered with questionable details until it bore little resemblance to the truth. Our current-day, scandalous tabloids no doubt grew out of these broadsides.
The Grace Darling tale
was one of the first to explode into an international story, complete with purple
prose, hyperbola, and feminine idolatry. The histrionic tale caught fire and
leaped from newspaper to newspaper, reaching The Times in
One newspaper reporter identified as M.A. Richardson, said:
“Surely imagination in its loftiest creations never invested the female character with such a degree of fortitude as has been evinced by Miss Grace Horsely Darling on this occasion. Is there in the whole field of history, or of fiction even, once instance of female heroism to compare for one moment with this?”
Painters rushed to Longstone Light to capture Grace’s delicate features, then painted her into exaggerated scenes of angry seas and suffering humanity. Those who couldn’t meet her in person took license and drew her as they imagined, a slender, pretty young woman at the oars of a boat or about town wearing a fetching bonnet. The versions of her face are so many and varied, we have little idea what she really looked like.
Poets and minstrels wrote tributes to the “Grace of womanhood and Darling of mankind.” Peddlers hawked phony locks of her hair and swatches of fabric supposedly from the dress she had worn on the day of the rescue. Anything Grace had worn, touched, or owned fetched a high price. Marriage proposals came by the dozens, none of them of interest to Grace. She wanted only the solitude of the lighthouse, her family, and her books—not untypical for a lighthouse daughter.
A public subscription
for the Darling family raised a gift of several hundred pounds, to which the
Royal Humane Society and the National Institution for the Preservation of Life
from Shipwreck—the predecessor of the Royal National Lifeboat Institution—added
gold and silver lifesaving medals and a silver tea set. Even Queen
She spent her next few years contending with the media, such as it was in the 1830s. There was no Internet, Twitter, or Facebook, or even a You Tube, but Grace went viral in the only way possible for her day. She “graced” the covers of newspapers, magazines, and books, even special sheet music written in her honor. She appeared on sailing cards, church fliers, and advertisements. Girls copied Grace’s quiet, gentle demeanor and simple dress. Young men wrote poems alluding to her valor and maternal potential. And she was besieged with mail, visitors to the lighthouse, requests for her signature and personal effects, of which she probably had few. She was the adored model of young womanhood, a perfect suffragette—feminine and obedient, brave and steady of mind and heart, yet capable of rowing a boat like a man to rescue “those in peril on the sea.”
In his 1841 book, The Tragedy of the Seas, Charles Ellms wrote of Grace’s mettle during the Forfarshire rescue:
“This perilous achievement stands unexampled in the feats of feminine fortitude. From her isolated abode, when there was no solicitation or prospect of reward to stimulate, impelled alone by the pure promptings of humanity, she made her way through desolation and impending destruction, appalling to the stoutest heart, to save her fellow-beings.”
The 1839, Maid of the Isles by Jerrold Vernon established Grace as “the girl with the windswept hair” and prompted even more paintings that showed her tresses streaming and lustrous behind her as she faced impossible seas. Those flowing locks are ironic, almost comical, since it’s almost certain Grace’s hair was tied up in rag strips to make it curly—the custom of the day. At so early an hour with a shipwreck sighted, would she have taken time to do her hair? It’s doubtful. She likely went rescuing in her curlers.
Unfortunately, much written about Grace in popular literature is fabricated. Her older sister, Thomasin, tried to set the record straight in 1880 with a small booklet in which she wrote that “accuracy has suffered” and “romanticists” had colored “The Deed” with untruths. Thomasin was particularly disturbed by the often-printed assertion that Grace had beseeched, even begged, her father to go to the wreck and that he had been reluctant. This probably was untrue, but it made good dialogue and translated well for the stage productions that followed. Drama aside, William Darling had gone out to shipwrecks before and would have gone to this one without prodding. More often than not, lighthouse keepers put their own lives in peril to save others.
We do know Grace was deft at handling a boat, as were most light keepers’ daughters. From an early age, she was rowed ashore to the family garden plot or to pick up supplies in Bamburgh. Later, after about age twelve, she rowed to Bamburgh alone. Thomasin lived in the village, and Grace paid her frequent visits. Like any teenager, Grace enjoyed her sister’s company and partook of some of the fun ashore. The oars to the coble were analogous to the keys to car today. We must not forget, though, that she grew up in a community that relied on the sea for its livelihood and for transportation. Yet….Northumbrians bore as much disdain for “the deeps” as adoration.
“The sea is a lover, but the shore is a deceitful whore,” was a popular metaphor repeated by sailors in coastal taverns everywhere, most of whom had a love-hate relationship with the sea. Hardly a family in Northumberland was untouched by “sea change.” The local cemetery was rife with epitaphs alluding to saltwater occupations, drowning, and shipwreck. Grace held the same view of the sea as her neighbors, an outlook colored by religious faith, a healthy fear, and duty. Whatever happened on or near the sea was God’s will and a test of human strength and endurance. Sacrifice was expected, and not to be lavishly rewarded. Grace’s letters after the Forfarshire wreck reveal that she hated all the attention focused on her.
Ironically, the citizens of Northumberland disliked it too. They saw nothing unusual in Grace Darling. Numerous writers of the day noted the community’s contempt for the media circus surrounding the event and the absurd idolatry of Grace. It was much the same disgust we experience today, with outrageous personalities like Lindsey Lohan, Tom Cruise, and the Kardasians. Travel writer William Howitt, who had met Grace Darling in 1840, discovered that people ashore were blasé about the Forfarshire rescue. One girl said, “It was low water and the sea was smooth; anybody could have done what she did.” Others flat-out denied that the rescue even happened, claiming it was contrived and intended merely to sell papers.
While Grace attempted to elude the media and cope with her sudden fame, her health declined. Visiting her sister, Thomasin, in April 1842 she experienced chilblains and developed a cough. Back at Longstone she grew worse, so her parents sent her back to Bamburgh to live with her sister and be closer to a doctor. There was little that could be done for lung infections in those days. By September Grace was bedridden and the end was near. “She went like snow,” Thomasin told their parents. Grace died on October 20, 1842. The diagnosis was consumption, today known as tuberculosis.
It was a tragic finale to a brief career. Grace was buried in the St. Aidans churchyard at Bamburgh in a simple grave; yet, hundreds came to pay their respects. A distraught public gave money for a monument to honor her, and an admiring sailor requested that Grace’s memorial be large enough and placed in such a location as to be seen easily from sea. The cenotaph, a canopied stone memorial minus her body, was built not far from her grave. above)Its stone effigy of Grace, hands folded as if asleep after her arduous labor of rescuing, or perhaps after the more difficult task of coping with instant fame, put her to rest. The memorial lasted forty years before it crumbled and a new one of similar but stronger design was built. The plaque on the memorial reads: “Pious and pure, modest, and yet so brave, though young so wise, though meek so resolute,” a dedication from poet William Wordsworth.
Even in death, Grace
Darling’s legend continued to grow. It enlarged by turns until it shone
brighter than any lighthouse in
The remains of the Forfarshire
have a less glorious history. Parts of the ship still lie at a depth of
about 12-fathoms off Big Harcar Rock in Piper Gut. Nearby Hull Marina has
erected a plaque to the ship, and in a pub in Seahouses is one of the salvaged
nameplates. The town of
Grace, on the other hand, has her own museum that was opened in Bamburgh in 1938 by the Royal National Lifeboat Institution on the centennial of the rescue that made her famous. Fortuitously, it is located near the house where she died and across from the churchyard where she is buried. Visitors can learn her story and view some of her personal effects and the famous coble she rowed to the wreck, as well as see portraits and mementos from the Forfarshire and a variety of souvenirs created in the wake of her popularity—mugs, candies, hand-scribbled poems, postcards, music boxes, clothing, and more. As with most media heroines, Grace has been commercialized.
School children visit the museum (above), still marveling at her courage and singing “The Grace Darling” song. They view the many artifacts attesting to her mettle, buy a knick-knack or two, and leave chattering about storms and ships and brave young girls. Legend or not, tabloid icon or moneymaking image, Grace Darling surely did something amazing that stormy day in September 1838, an act beyond the expectations of any ordinary woman of her day. This kernel of truth is what truly matters.
(Reprinted from the U.S. Lighthouse Society Keepers Log)
From the newsletter of the Point Fermin Lighthouse Society--
Monday, July 5, 2021
A Heart-Warming Memory from Mount Desert Rock Lighthouse
This piece of short fiction about the nineteenth century keepers on Mount Desert Rock Lighthouse was published in the U.S. Lighthouse Society's Keepers Log many years ago. It is based on true information gleaned from Edward Rowe Snow's books on lighthouses. I hope you enjoy it!
|Mount Desert Rock Lighthouse in 1847, from the National Archives, courtesy of LighthouseFriends.|
|An 1877 painting by Charles Edwards on the Maine Memory website.|
|"The fog comes in on little cat feet," said Carl Sandburg. But then the loud foghorns fire up and the cats all scamper away!|